Posted on April 9,2: I say that without any grain of approval or disapproval- it is just the way things happen in our world.
|“The Chrysanthemums” by John Steinbeck | Literary Fictions||By the way, inhe received the Nobel Prize for Literature. John is also famous for his five great collections of short stories, including the Chrysanthemums, which is definitely worth talking about.|
|"The Chrysanthemums" Essay | Best Sample Essays, Free Research Papers, Dissertation Samples||Antin Setyani 3. Mega Ayuningrum 4.|
|My Interpretation of the Chrysanthemums | Free Essays - alphabetnyc.com||Cultural References Key Terms and Concepts "The Chrysanthemums" Elisa Allen, the protagonist of "The Chrysanthemums," Steinbeck's most frequently anthologized short story, gardens on the foothills ranch she shares with her husband, Henry Allen. The story opens with a description of the surrounding Salinas Valley and narrows in on Elisa Allen pruning last year's chrysanthemums as she notices Henry talking with two men in business suits.|
|“The Chrysanthemums” Essay||She is presented as weak in that her daily activity consisted of tending her garden of chrysanthemums; Steinbeck focuses on how they provide insight into Elisa and how she relates to them, religiously. He implies that even though she fits a weak character, there are places in the narrative at the beginning that suggest some strong points and her longing towards the end.|
Hire Writer However, Elisa needs something more in her life than a neat house and a good garden. Their marriage is childless and conventional and she has begun to sense that an important part of her is dying and that her future will be predictable and mundane.
Elisa is a barren woman who has transferred her maternal impulses to her garden, a garden full of unborn seedlings. On the other hand, Elisa would never consider a lurid affair, when a dark mysterious stranger appears at their quiet farm dwelling looking for work.
A complete contrast from her husband, an adventurer who lives spontaneously, a man of the road not bound by standard measures of time or place.
The stranger is described as big, bearded, and graying man, who knows something about life and people. When she tries to get him to discuss his travels, he steers back to the possibility of employment.
When it is apparent that she has no work to give him, he cleverly praises her flowers.
Elisa is desperately eager to share in the one thing she is actually proud of, and carefully gathers some shoots to share with another customer down the road. As she disciplines the stranger on the proper nurturing of the seedlings, her passionate involvement with the process of planting becomes an expression of all the suppressed romance in her life.
The stranger senses this craving, and offers just enough encouragement to lead her into a full-scale declaration of her profound love of what planting means to her.
Elisa would like this moment to continue, but the stranger reminds her that hunger overcomes inspiration.
Elisa, somewhat ashamed by her openness, finds some useless old pots for him to mend. She believes that the man has given her something of value and she feels obliged to give him something in return.
Elisa feels energized and appreciated, delighted by her moment to share her special skill and excited by the chance to share, at least in her imagination, a totally different kind of life.
As she prepares for the evening, the effort she usually puts into scrubbing the house is redirected into her transformation to make herself as attractive as she now feels. Their mood remains distinctly elevated as they head for town, but then Elisa sees a small speck on the road in the distance.
Instantly, she realizes that this is the treasure she so tenderly prepared. The stranger has discarded the flowers on the road to save the pot that contained them, the only object of value to him. She weeps privately as they drive pass the stranger in the tiny covered wagon.
Elisa is shattered by the heartless manner in which he has drawn something from her secret self and then completely betrayed her gift by not even taking the trouble to hide the flowers. She attempts to override her disappointment, by maintaining a mood of gaiety, suggesting that they have wine at dinner.
This is not sufficient to help her restore her feelings of confidence, so she asks her husband if they might go to a prizefight. This request so completely out of character that again her husband is totally baffled.
This is part of an effort to focus her own violent and angry feelings, but it is completely hollow as an attempt to sustain her sense of self-control.
In a few moments, she completely gives up and her whole body collapses into the seat in a display of defeat. As the story concludes, Elisa is struggling to hide her real feeling of pain from her husband. The retreat from action at the conclusion suggests that the risks are great, but there is a possibility that Elisa might not be permanently beaten by her pain.
In this story Steinbeck focuses more closely on character than on surroundings, though that is not to say that the naturalistic setting has a non-existing role in the story. The story develops from a dramatic point of view, as Steinbeck first describes the entire valley in a panoramic view, then moves closer to focus Elisa working in her garden.
Elisa is also seen alternately as a part of a larger landscape and as a small figure in an enclosed area. Her warm, three-dimensional character serves to show the human beauty beneath her rough and somewhat masculine exterior.
Elisa has certain needs of the spirit, the abstract nature of which keeps happiness forever elusive. Elisa generally wears bland, baggy clothes that tend to de-gender her. Her husband Henry is more practical, with greater involvement in physical concern; but is confronted by a woman whose depression is partially due to a confusion of sexual identity.Elisa Allen, the main character of â€œThe John Steinbeck's "The Chrysanthemums" starts similarly: The high gray-flannel.
On the broad, level land floor the gang plows bit deep and left Chrysanthemums,". Character Analysis of Elisa Allen in The Chrysanthemums by Steinbeck -. – When we first meet Elisa Allen in her garden, with what details does Steinbeck delineate her character for us? Elisa works inside a “wire fence that protected her flower garden form cattle and dogs and chickens” (paragraph 9) What does this wire fence suggest?
“The Chrysanthemums” Essay. 1. Introduction In John Steinbeck’s short story “The Chrysanthemums” the fighting for equal rights are depicted though the character of the Elisa Allen.
Women are generally considered to be the weaker sex and men’s subordinates. The Chrysanthemums is the famous story written by John Steinbeck, and its plot introduced a woman called Elisa Allen. Basically, it’s told in the point of view the third person in her perspective, and it’s about everyday trials that the main character has to face while living in the world dominated by men.
Nov 26, · research paper on the character Elisa Allen in the ” The Chrysanthemums” short story by John Steinbeck. write element of fiction as point of view.
secondary. Elisa Allen. BACK; NEXT ; Character Analysis. Elisa is our girl. She's a rancher's wife, an awesome gardener, and a pretty strong lady. But still, she doesn't quite seem happy with her day-to-day life, so when the tinker approaches and the pair strike up their mysterious and revealing conversation, her life changes, maybe forever.